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Movie: Goodfellas

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Runtime:	145 minutes
Resolution:	1920x1072 px
Codec:	V_MPEG4/ISO/AVC
Bit Rate:	8721 kbps
FPS:	23.976

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Goodfellas (Video Preview).mkv	82.58 MB	download

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Type	Resolution	Codec	Bitrate	Audio Channels
Language: English	48 kHz	AC3	640 kbps	6

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Goodfellas.mkv	10377.45 MB

Total size: 10377.45 MB

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Runtime:	145 minutes
Resolution:	1280x720 px
Codec:	V_MPEG4/ISO/AVC
Bit Rate:	6708 kbps
FPS:	23.976

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Type	Resolution	Codec	Bitrate	Audio Channels
Language: English	48 kHz	AC3	640 kbps	6

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File Name	Size
Goodfellas.mkv	8144.08 MB

Total size: 8144.08 MB

Video Information

Runtime:	146 minutes
Resolution:	720x392 px
Codec:	DivX v5
Bit Rate:	1587 kbps
FPS:	23.976

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Goodfellas (Video Preview).avi	23.91 MB	download

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Type	Resolution	Codec	Bitrate	Audio Channels
Language: English	48 kHz	Dolby AC3	384 kbps	6

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File Name	Size
Goodfellas (part 1 of 3).avi	650.23 MB
Goodfellas (part 2 of 3).avi	642.47 MB
Goodfellas (part 3 of 3).avi	649.72 MB

Total size: 1942.43 MB

Video Information

Runtime:	146 minutes
Resolution:	592x324 px
Codec:	DivX v5
Bit Rate:	776 kbps
FPS:	23.976

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Goodfellas (Video Preview).avi	11.56 MB	download

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Type	Resolution	Codec	Bitrate	Audio Channels
Language: English	48 kHz	MPEG Layer-3	128 kbps	2

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File Name	Size
Goodfellas (part 1 of 2).avi	481.18 MB
Goodfellas (part 2 of 2).avi	475.14 MB

Total size: 956.32 MB

Video Information

Runtime:	145 minutes
Resolution:	320x176 px
Codec:	DivX v5
Bit Rate:	223 kbps
FPS:	23.976

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Language: English	48 kHz	MPEG Layer-3	128 kbps	2

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File Name	Size
Goodfellas.avi	377.02 MB

Total size: 377.02 MB

Storyline

Taglines:	1: "As far back as I can remember, I've always wanted to be a gangster." -- Henry Hill, Brooklyn, N.Y. 1955. 2: Three Decades of Life in the Mafia. 3: Murderers come with smiles. 4: Shooting people was 'No big deal'. 5: In a world that's powered by violence, on the streets where the violent have power, a new generation carries on an old tradition.
Plot Summary:	This film views the mob lives of three pivotal figures in the 1960's and 70's New York. Ray Liotta plays Henry Hill, a local boy turned gangster in a neighborhood full of the roughest and toughest. Joe Pesci plays Tommy Devito, a pure bred gangster, who turns out to be Henry's best friend. Robert De Niro plays Jimmy Conway, the man who puts the two of them together, and runs some of the biggest hijacks and burglaries the town has ever seen. After an extended jail sentence, Henry must sneak around the back of the local mob boss, Paulie Cicero, played by Paul Sorvino, to live the life of luxury he has always dreamed of. In the end, the friends end up in a hell of a jam, and must do anything they can to save each other, and stay alive.
Plot Keywords:	irish-american \| irish-gangster \| violent-movie \| violence \| growing-up \| irish-american-character \| neo-noir \| anger \| crime-epic \| tragedy \| courtroom \| rise-and-fall \| crime-drama \| new-york \| gangster \| prison \| 1960s \| 1970s \| heist \| juvenile-delinquent \| Show all keywords Complete list of certificates: Hide irish-american \| irish-gangster \| violent-movie \| violence \| growing-up \| irish-american-character \| neo-noir \| anger \| crime-epic \| tragedy \| courtroom \| rise-and-fall \| crime-drama \| new-york \| gangster \| prison \| 1960s \| 1970s \| heist \| juvenile-delinquent \| paranoia \| drugs \| contraband \| mafia \| helicopter \| murder \| vulgarity \| nightclub \| organized-crime \| 1950s \| revenge \| cosa-nostra \| irish-italian \| machismo \| witness-protection \| betrayal \| christmas \| italian-american \| based-on-book \| title-spoken-by-character \| actor-shares-first-name-with-character \| dumpster \| frozen-body \| pistol-whip \| long-take \| blood-splatter \| cocaine \| drug-dealing \| kicked-in-the-face \| robbery \| shot-in-the-back \| shot-in-the-chest \| shot-in-the-foot \| shot-in-the-head \| stabbed-in-the-head \| shot-in-the-face \| 1980s \| insult \| italian-food \| stuttering \| real-life-mother-and-daughter-playing-mother-and-daughter \| black-comedy \| zoo \| wheelchair \| what-happened-to-epilogue \| wedding \| wedding-reception \| trial \| toupee \| toilet \| tampa-florida \| stabbing \| shallow-grave \| restaurant \| racial-slur \| police-surveillance \| police-corruption \| poker \| phone-booth \| nonlinear-timeline \| new-york-city \| narration \| mother-son-relationship \| mother-daughter-relationship \| mob-violence \| mob-hit \| mailman \| lion \| jewish \| interfaith-marriage \| hospital \| friendship \| freeze-frame \| father-son-relationship \| fake-commercial \| face-slap \| extramarital-affair \| extortion \| exhumation \| ethnic-slur \| epic \| drug-enforcement \| double-date \| domestic-violence \| diner \| deception \| death-of-friend \| corpse \| brother-brother-relationship \| breaking-the-fourth-wall \| bar \| babysitter \| arson \| arrest \| stood-up \| person-in-car-trunk


More about Goodfellas movie	Show about Post-production Scorsese wanted to depict the film's violence realistically, "cold, unfeeling and horrible. Almost incidental."[2] However, he had to remove ten frames of blood in order to ensure an R rating from the MPAA.[6] With a budget of $25 million, Goodfellas was Scorsese's most expensive film to date but still only a medium budget by Hollywood standards.[7] It was also the first time he was obliged by Warner Bros. to preview the film. It was shown twice in California and a lot of audiences were "agitated" by Henry's last day as a wise guy sequence and Scorsese argued that that was the point of the scene.[7] Scorsese and the film's editor, Thelma Schoonmaker, made this sequence faster with more jump cuts to convey Henry's drug-addled point of view. In the first test screening there were 40 walkouts in the first ten minutes.[15] One of the favorite scenes for test audiences was the one where Tommy tells the story and Henry is responding to him - the "what's so funny about me" scene.[7] Principal photography The film was shot on location between Queens, New York and New Jersey during the spring and summer of 1989. [14] Scorsese broke the film down into sequences and storyboarded everything because of the complicated style throughout. According to the filmmaker, he "wanted lots of movement and I wanted it to be throughout the whole picture, and I wanted the style to kind of break down by the end, so that by his [Henry] last day as a wiseguy, it's as if the whole picture would be out of control, give the impression he's just going to spin off the edge and fly out."[1] He claims that the film's style comes from the first two or three minutes of Jules and Jim: extensive narration, quick edits, freeze frames, and multiple locale switches.[4] It was this reckless attitude towards convention that mirrored the attitude of many of the gangsters in the film. Scorsese remarked, "So if you do the movie, you say, 'I don't care if there's too much narration. Too many quick cuts? - That's too bad.' It's that kind of really punk attitude we're trying to show".[4] He adopted a frenetic style in order to almost overwhelm the audience with images and information.[7] He also put a lot of detail in every frame because the gangster life is so rich. The use of freeze frames was done because Scorsese wanted images that would stop "because a point was being reached" in Henry's life.[7] Joe Pesci did not judge his character but found the scene where he kills Spider for talking back to his character hard to do because he had trouble justifying the action until he forced himself to feel the way Tommy did.[3] Lorraine Bracco found the shoot to be an emotionally difficult one because it was such a male-dominated cast and realized that if she did not make her "work important, it would probably end up on the cutting room floor".[3] When it came to the relationship between Henry and Karen, Bracco saw no difference between an abused wife and her character.[3] According to Pesci, improvisation and ad-libbing came out of rehearsals where Scorsese let the actors do whatever they wanted. He made transcripts of these sessions, took the lines that the actors came up with that he liked best, and put them into a revised script that the cast worked from during principal photography.[9] For example, in the scene where Tommy tells the story and Henry is responding to him - the "what's so funny about me" scene, was based on actual event that happened to Pesci. It was worked on in rehearsals where he and Liotta improvised and Scorsese recorded 4-5 takes, rewrote their dialogue and inserted it into the script.[15] The cast did not meet Henry Hill during the film's shoot but a few weeks before it premiered, Liotta met him in an undisclosed city. Hill had seen the film and told the actor that he loved it.[3] The long tracking shot through the Copacabana nightclub came about because of a practical problem - the filmmakers could not get permission to go in the short way and this forced them to go round the back.[7] Scorsese decided to do it in one shot in order to symbolize Henry's whole life is ahead of him and according to the director, "It's his seduction of her [Karen] and it's also the lifestyle seducing him".[7] This sequence was shot eight times.[15] Henry's last day as a wiseguy was the hardest part of the film for Scorsese to shoot because he wanted to create the character's state of anxiety and the way the mind races when on drugs for people who had never been under the influence of cocaine and amphetamines.[7] The director ended the film with Henry regretting that he is no longer a wiseguy and Scorsese said, "I think the audience should get angry at him and I would hope they do - and maybe with the system which allows this".[7] Hide

This film of genre: Biography | Crime | Drama produced in - 1990, USA

Roles and Actors of Goodfellas

Actor	Role
Robert De Niro	Jimmy Conway
Ray Liotta	Henry Hill
Joe Pesci	Tommy DeVito
Lorraine Bracco	Karen Hill
Paul Sorvino	Paul Cicero
Chuck Low	Morris 'Morrie' Kessler
Frank DiLeo	Tuddy Cicero
Frank Sivero	Frankie Carbone
Tony Darrow	Sonny Bunz
Mike Starr	Frenchy
Frank Vincent	Billy Batts
Frank Adonis	Anthony Stabile
Catherine Scorsese	Mrs. DeVito, Tommy's Mother
Gina Mastrogiacomo	Janice Rossi
Suzanne Shepherd	Karen's Mother

Director: Martin Scorsese

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Movie: Goodfellas

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Roles and Actors of Goodfellas